Author: Luciana Mariano

Painter.

Luciana Mariano paints stories in peaceful Pirkkala

Last week, my friend sent me a message: “You’re in our magazine!”, she said.It’s nice to see yourself in the local media and read such a good article, especially when it’s about my art! I’m grateful to our local newspaper @Pirkkalainenlehti, and it was a real pleasure to meet a wonderful woman, a talented journalist, a Pirkkala resident and now also a good friend @maijariitamerikanto. Pirkkala is the place I chose to live, and a place that gives me the opportunity to exist despite my personal limitations and live a safe, peaceful and happy life. Thank you to everyone who read my interview in Pirkkalainen, and to everyone who supports culture, art and artists everywhere.

Artists are needed in a world where humanity has lost touch with itself. Artists are essential, but also vulnerable, agents of society. For most of our lives, we cannot live off our work, and yet we cannot afford not to do what we need to do. Art is much more than images, paintings, objects. Art is an expression of life, resistance, culture, peace, kindness, beauty, values, humanity. We all need art and culture, but few dare to ask or understand what the artistic creation process is like and feels like.

It was very interesting to be interviewed by my local newspaper. It was a surprising invitation and a lovely encounter, made easier and more comfortable by the fact that the journalist was an experienced journalist, a woman, a mother like me. Those who know me also know how difficult social interactions are for me. I may seem (and am) Brazilian, but lately in life I have been much more Finnish (which I also am) when it comes to meetings, socializing and conversations.

It was curious to tell my new friend details about what it’s like to be born an artist in a world that expects you to be an employee with a monthly salary that artistic production rarely provides. Few cities and countries protect their artists in the way they would like to be cared for. We survive, sometimes we have side jobs, other times we give up who we are. There are also grants, funding, fellowships, patronage, and many other rare and difficult ways to try to be a full-time artist, which I have been trying, but not yet achieved.

As I said, I was born an artist, it wasn’t a choice. My mind and body create art 24 hours a day, naturally. Denying them that is like training a fish to climb a tree. I even tried, for almost 40 years, to the point of exhaustion and burnout, a few times, to live a “respectable” life as a conventional capitalist. Obviously, I failed, terribly, and also thankfully. That also meant that I had nowhere else to run but to face my destiny of being a visceral artist, painter, creator, dreamer.

So far, many times I succeed, often I don’t, but life keeps teaching me not only to paint and survive, but also to fight and resist as I never would if I were a good office worker (and here I reinforce my respect for those who are brave and intelligent enough to be office workers, bankers, teachers, doctors, salespeople, marketing professionals, journalists, gallery owners…). They are essencial to society, as artists too.

This beautiful article was so well written that it made me read it as if it wasn’t about me! Or perhaps it helped me understand what it’s like to be me. Stop fighting against myself for a while and enjoy the company and wisdom of other people who have successfully dedicated themselves to the art of written storytelling – something almost heroic in times of virtual literature.

One day at a time, one step, one brushstroke and one word at a time. I hope that many more stories will be told along the way, and that they will be written, painted and, above all, lived with full purpose.

Luciana Mariano ©

——————— Em português:

Na semana passada, uma amiga me mandou uma mensagem: “Você está no nosso jornal!” Muito legal estar na mídia local e ler um artigo tão bom sobre a minha arte! Sou grata ao jornal local, @Pirkkalainenlehti, e foi um verdadeiro prazer conhecer a talentosa e querida jornalista, também moradora de Pirkkala e agora amiga, @maijariitamerikanto. Pirkkala é o lugar que escolhi para viver, um lugar que me dá a oportunidade de existir apesar das minhas limitações pessoais e viver uma vida segura, tranquila e feliz. Obrigada a todos que leram minha entrevista no Pirkkalainen e a todos que apoiam a cultura, a arte e os artistas em todos os lugares.

Artistas são necessários em um mundo onde a humanidade perdeu o contato consigo mesma. Artistas são agentes essenciais, mas também vulneráveis, da sociedade. Durante a maior parte de nossas vidas, não podemos viver do nosso trabalho, e ainda assim não podemos nos dar ao luxo de não fazer o que precisamos fazer. A arte é muito mais do que imagens, pinturas, objetos. A arte é uma expressão de vida, resistência, cultura, paz, bondade, beleza, valores, humanidade. Todos nós precisamos de arte e cultura, mas poucos se atrevem a perguntar ou entender como é e como se sente o processo de criação artística.

Foi muito interessante ser entrevistada pelo meu jornal local. Foi um convite surpreendente e um encontro adorável, facilitado e mais confortável pelo fato de a jornalista ser uma jornalista experiente, uma mulher, uma mãe como eu. Quem me conhece também sabe o quanto as interações sociais são difíceis para mim. Posso parecer (e sou) brasileira, mas ultimamente tenho me comportado muito mais como finlandesa (que também sou) quando se trata de encontros, socialização e conversas.

Foi curioso contar ao meu novo amigo detalhes sobre como é nascer artista em um mundo que espera que você seja um empregado com um salário mensal que a produção artística raramente proporciona. Poucas cidades e países protegem seus artistas da maneira como eles gostariam de ser cuidados. Sobrevivemos, às vezes com trabalhos extras, outras vezes abrindo mão de quem somos. Existem também bolsas, financiamentos, programas de intercâmbio, mecenato e muitas outras maneiras raras e difíceis de tentar ser um artista em tempo integral, algo que tenho tentado, mas ainda não consegui.

Como eu disse, nasci artista, não foi uma escolha. Minha mente e meu corpo criam arte 24 horas por dia, naturalmente. Negar isso a eles é como treinar um peixe para subir em uma árvore. Eu até tentei, por quase 40 anos, até a exaustão e o esgotamento, algumas vezes, viver uma vida “respeitável” como um capitalista convencional. Obviamente, fracassei, terrivelmente, e também, felizmente. Isso também significava que eu não tinha para onde fugir a não ser encarar meu destino de ser uma artista visceral, pintora, criadora, sonhadora.

Até agora, muitas vezes tenho sucesso, muitas vezes não, mas a vida continua me ensinando não apenas a pintar e sobreviver, mas também a lutar e resistir como eu jamais faria se fosse uma boa funcionária de escritório (e aqui reforço meu respeito por aqueles que são corajosos e inteligentes o suficiente para serem funcionários de escritório, banqueiros, professores, médicos, vendedores, profissionais de marketing, jornalistas, donos de galerias…). Eles são essenciais para a sociedade, assim como os artistas.

Este belo artigo foi tão bem escrito que me fez lê-lo como se não fosse sobre mim! Ou talvez tenha me ajudado a entender como é ser eu. Pare de lutar contra mim mesma por um tempo e aproveite a companhia e a sabedoria de outras pessoas que se dedicaram com sucesso à arte de contar histórias por escrito – algo quase heroico em tempos de literatura virtual.

Um dia de cada vez, um passo, uma pincelada e uma palavra de cada vez. Espero que muitas outras histórias sejam contadas ao longo do caminho, e que sejam escritas, pintadas e, acima de tudo, vividas com pleno propósito.

Happiness is a daily choice


Happiness is a daily choice stands for the duality of life and how we are exposed to it. Despite what goes inside of us, we have to choose happiness, every day. Who you are and who you become is the sub-product of our daily choices. Inside: apparent calm and balance. Male and female energies on right and left sides. The curtains are also balanced, peaceful and the sheer fabric suggests that, despite the open window, there is no winds to disturb the cat’s sleep. On the floor level there is a bit of confusion of all things left unattended. On the left side of the painting a book dictates what we all should obey: the declaration of human rights. Perhaps the happy childhood outside is not by chance, but because of humanitarian and societal rules that should guide life and humanity. Outside: we are all allowed to play, to laugh, to hurt, to dare, to exist. No violence is allowed. Between the two sides, on the window screen lays a plate with a slice of watermelon. We must feed our hopes with justice and equality. But it is also there to remind us all that not everyone is allowed to a sovereign existence. On the other side, the key. The right to return, the right to a home, the right to belong and feel safe.

Luciana Mariano ©

This painting is being exhibited at Maksla XO Gallery in Riga, Latvia, from June 4 till July 11, 2026.

Dreams, Secrets and Treasures at Māksla XO Gallery

Māksla XO Gallery will be delighted to welcome you to the opening of two new exhibitions – 

LUCIANA MARIANO     

DREAMS, SECRETS AND TREASURES


Luciana Marianos
Maze of Life. 2024, acrylic on canvas, 150×100 cm 

We always have what we need to survive and we lose what no longer serves us. We adapt, we keep secrets, we play. The truth is in front of us and we keep chasing hope, butterflies, dreams and bubbles. We are captives to our stories, conditionings, time, and yet, absolutely free to dare,” – Luciana Mariano, 2026.

Luciana Mariano is an outsider of contemporary painting with a vibrant, colourful, humour-filled and provocative feminine narrative. Her work possesses both a childlike lightness and directness, an analytically sharp observation, and at the same time a warm, accessible manner of expression. Luciana Mariano is a storyteller both on her canvases and in the texts and poetry that accompany her paintings. She is not a quiet, standoffish observer – rather, she is a rebel and an outspoken documentarian of reality. In her latest solo exhibition the artist explores the hidden emotions of the human experience, the symbolism of memory and objects, through dreamlike compositions – the quiet poetry of everyday life. Combining contemporary naïve art with the visual language of surrealism, she invites the viewer to enter worlds where tenderness, mystery and humour coexist.(Ilze Zeivate)

Luciana Mariano (1971) was born and raised in São Paulo, Brazil. Currently she lives and works in Pirkkala, Finland. Since 2008 she has participated in more than 40 group exhibitions and arranged 20 solo shows worldwide.

Works in public collections: MIMAN – Museu Internacional de Miniatures de Arte Naif (Paraty-Rio de Janero, Brazil), MIAN – Museu Internacional de Arte Naif (Rio de Janeiro, Brazil), Museu de Arte de Batatais (Batatais-San Paulo, Brazil), Museu do Sol (Penápolis-Sao Paulo, Brazil), Musée d’Art Spontané (Brussels, Belgium), Bulgarian Naif Museum (Sofia, Bulgaria), Castle Lysice Collection (Lysice, Czech Republic), Kondase Keskus Museum (Viljandi, Estonia).

At Maksla XO, this is already Luciana Mariano’s third solo exhibition in Latvia, captivating both contemporary art professionals and international art enthusiasts.

https://lucianamariano.com

Support:

______________________________________________________________________________________________________

ANDRIS KALININS

PRUSSIAN BLUE


Andris Kalinins
Prussian Blue No. 12. 2026, oil on canvas, 32x24x3 c

““Prussian Blue” is a new series of monochrome paintings in which I continue my long-developed creative position – “Paint as The Protagonist”. The colour is not used merely as a means of artistic expression to create an image, but itself becomes the subject of the work. I look at colour as a material with a specific name, whose physical properties, history of use, and context most often carry references to history, power, politics, and aesthetics”- Andris Kalinins, 2026.

Andris Kaļiņins (1994) is a painter and set designer who graduated from the Scenography Department (2021) and the Painting Department (2026) of the Art Academy of Latvia. His painting practice is grounded in the study of the physical properties of colour and an intuitive process, resulting in conceptual and minimalist yet visually saturated and expressive imagery. The artist regards painting as a process of thinking, inviting the viewer to perceive the essence of colour rather than its illusion.

Andris Kalinins is the laureate of the SEB Scholarship in Painting 2025. He has organised 4 solo exhibitions and participated in 5 significant group exhibitions, including “Figure in the Field” – Morgan Lehman Gallery (2024, New York, USA); “In the Name of Desire” – National Museum of Art of Latvia (2024, Riga, Latvia); and “How I’ve Been Feeling Lately” – Pauls Stradiņš Museum of the History of Medicine (2023, Riga, Latvia).

Andris Kaļiņins’ solo exhibition “Prussian Blue”, on view at Māksla XO gallery, is part of a more extensive series of works, which can also be seen simultaneously at the 2026 Graduate Exhibition of the Art Academy of Latvia.

https://kalinins.lv


Māksla XO Gallery will be delighted to welcome you to the opening reception of:
LUCIANA MARIANO’s solo exhibition “DREAMS, SECRETS AND TREASURES” and 
ANDRIS KALININS’ solo exhibition “PRUSSIAN BLUE”
on Thursday, 4 June 2026, from 17.00 – 20.00 

Both exhibitions will be on view from 4 June to 11 July 2026

https://www.makslaxogalerija.lv/eng/gallery

https://www.artsy.net/partner/maksla-xo

What dreams are [really] made of

Dreams are windows
Wormholes
Portals
Where we are free to be
To see
Do, feel, dare.

Where time can be bent
and wishes can be granted
Truth can be met
and the impossible
can be achieved
Peacefully
Gracefully
Or perhaps
not at all.

Dreams are the territory
of lost souls
and found treasures.
Playground of freedom
Prison cell for the fearful.

Nothing there
needs to make sense
and yet
everything has a reason
or an explanation
to exist.

Symbols are clues
hidden thoughts
and everything else
is utterly
Absolutely
and undoubtedly
yourself.

You naked
Unmasked
Exposed
unjudged
and unhedged.

A place to allow
recognise
and know
thyself

Dreams are the magic within
an the untouched universe
of possibilities.

Ephemeral
dew drops
melting drapes
and tea parties
Stars, moon
lake, lawn
and infinite paths
to nowhere
for noone.

Your secret spot
to discover
what dreams
are [really]
made of.

Luciana Mariano ©

Fragments

We are in pieces.

Fragments.
Shards.
Tiny particles that don’t fit together
Mismatched codes,
Ironically similar
In our flaws and lacks

We walk, but we don’t question the journey.
We don’t understand the path,
It seems deprived of destination and purpose.
We just carry on,
with or without legs
With or without eyes.
We just follow silent orders
Anonymously in the crowds
We dare not to stand out of norm, of compliance
We can’t stop
Catch our breath.
Disrupt traffic,
Rest.
We succumb to the steep climb.
Hopping that the unbridled descent
will shorten the path, spare us, somehow.

We walk, breathe,
we eat and sleep
when possible.
We obey
inevitably.
We are all besieged.
Inside and outside
all the walls in this world.
We are patient and we go mad
We wait, and we hope
that something will change
Someone will save us
Anything will happen
Besides the pain
Despite the fate
Beyond the insanity
Above the oppression
Under the sun
We are scattered all over the place
Living lawful lies
Defying absurdities
Coping with what is.
But what is
Is way less than we deserve

We dream of surviving chaos and catastrophe
Hoping our fate would heal and redeem us.
We surrender to time
Holding to the pieces that are long gone
Whipping the dust off our remains
wipping dry tears off our eyes
We continue,
filled with shivering hope
and whatever is left of
our sacred innocence.

Luciana Mariano (c)

Waiting – acrylics on fine Belgian linen – 180×215 cm

Painting done during the Serlachius Residency in Mänttä, Finland, between March and June 2025.

The other side of the ocean

The other sidenof the ocean
2023
Acrylics on linen
60x90

11/12 – On the other side of the ocean. © – 2023 – acrylics on linen – 60×90

Original artwork available at @maksla_xo_gallery (Riga, Latvia)

I have been thinking a lot about parental relationships lately. Maybe because I lost my mother only 6 months ago, and even though we always had a difficult relationship, she was also the symbol of steadfastness and a safe harbor in my life, a safe shelter in case I needed to lay my head down and rest for a while. Maybe because since adolescence me and my son have been emotionally distant from each other and I recently remember the advice of an old friend saying that I had to be distant from him on order to him to grow up, take interest in the world, in other women. I was very afraid to damage my son in the way I felt my parents had damaged me and I took her advice very literally, breaking my own instincts and heart to give him space… Unrequested space that later proved to damage the close relationship we had. I was a betrayed woman and not wanting to harm my son I betrayed him, by making myself absent, distant. Note to self: advices can be given in good intention, but can be very harmful too. Humans have different experiences and therefore the advices can have very adverse outcomes. 20 years later I still feel my son distant and untrusting, repeating patterns that were mine when I decided to give him space. Our romantic relationships are a reflection of the aspects we need to evolve in the relationship with ourselves. Abusive relationships are a sign of unhealthy and self imposed emotional mysery. That kind of relationship where you give the best of you to someone that is mostly there to take and only gives the bare minimum to keep you trying, giving, surviving. People should resolve their emotional issues before they set out to rescue others. We need to count on our safe harbors to learn how to swim before we sail out on our life quests. I was so afraid to suffocate him that I left taking away his life buoy. Even though we are in the same continent, he keeps an ocean between us and instead of finding safe ground he has been pedalling adrift in a leacky boat, that sooner or later will make him a castaway. From my hatch I can only see so far and the sailing continues with no guarantees for safe manoovers, easy journeys, calm seas. life taught methat a broken heart can be healed, but seeing the lost and sad face of someone you love more than anything, feels a little bit like I am drowning.
Dreaming a little to try to make peace with my failures and your choices. Dreaming of pink sunsets, relaxing chairs on a calm deck, on a lazy afternoon of long awaited peaceful laughter, love and safety.

Luciana Mariano ©

Finding Unity

10/12

The 10th painting of 12 series Finding Home is called Finding Unity.

They are now in the same room, but they still don’t share the same table. Timing is still different, understandings are still diverse, but they are now facing each other; communication is established, it starts to be comfortable, less awkward, they explore the common ground to find unity. A new culture takes time to sink in and become familiar, it mixes with one’s own repertoire and experiences, it doesn’t invade, it invites; it doesn’t impose, it approaches by friendly exchange and acceptance. Finding home takes effort, curiosity, open mind, intention, will. Finding home requires purpose and love.

Luciana Mariano©

The “Finding Home” serie can be seen at Maksla XO Gallery in Riga, Latvia.

https://www.instagram.com/maksla_xo_gallery

Follow me on Instagram:

https://www.instagram.com/lucianamarianoart

Goodbye Mamãe 💔

You can’t buy time - 2024

I lost my mother a week ago.

It’s been such a busy year, with so many work commitments that, for a moment, you believe that everything can roll on automatic gear; that things are under such control that you can even decide about time, what happens and what to do. The illusion of control doesn’t apply to real life. Real life is unpredictable, unforeseen, unexpected. One day you are happy, rich, loved, young, the next day all is changed. Real life doesn’t stay still.

Mothers, I found out, are like time: you always have it; but it is not up to you to decide for how long you will have it. She was my safe harbour, my distant but steady ground, one I thought would always be there, no matter what. And now she is gone forever. It is the broken chain of existance, when your origin desappears. It is the natural course of things, and yet, a rupture that defies your own existance. It changes your perspectives. It shatters your heart in so many small pieces that you wonder how it can still function, continue.

She painted until her very last day. It was one of the things she never gave up on. She taught me so much and this must have been her ultimate message for me: go on, continue painting as long as you are breathing, as long as you still have a heartbeat. She did. She left me three paintings, fully finished but unsigned. Tiny ones, beautiful dead natures. She was still teaching me by the example. Finish your mission even if it doesn’t carry your name, your vanity, your ego; just live, do what you can at each moment you have. One day you will be gone, but your love will live on.

That’s what she did.


Perdi minha mãe há uma semana.

Foi um ano tão agitado, com tantos compromissos de trabalho que, por um momento, você até acredita que tudo pode funcionar no automático; que as coisas estão sob tal controle que você pode até decidir o tempo, o que acontece e o que fazer. A ilusão de controle não se aplica à vida real. A vida real é imprevisível, imprevista, inesperada. Um dia você é feliz, rico, amado, jovem, no dia seguinte tudo muda. A vida real não fica parada.

As mães, descobri, são como o tempo: você sempre o tem; mas não cabe a você decidir por quanto tempo o terá. Ela era meu porto seguro, meu terreno distante, mas firme, que pensei que sempre estaria lá, não importa o que acontecesse. E agora ela se foi para sempre. É a cadeia quebrada da existência, quando a sua origem desaparece. É o curso natural das coisas e, ainda assim, uma ruptura que desafia a sua própria existência. Isso muda suas perspectivas. Isso quebra seu coração em tantos pedacinhos minúsculos que você se pergunta como ele ainda pode funcionar, continuar.

Ela pintou até o último dia. Foi uma das coisas das quais ela nunca desistiu. Ela me ensinou muito e esta deve ter sido sua mensagem definitiva para mim: continue, continue pintando enquanto respirar, enquanto seu coração ainda bater. Ela o fez. Ela me deixou três quadros, totalmente acabados, mas sem assinatura. Pequeninos, lindas naturezas mortas. Ela ainda estava me ensinando pelo seu exemplo. Termine sua missão mesmo que ela não carregue seu nome, sua vaidade, seu ego; apenas viva, faça o que puder em cada momento que tiver. Um dia você irá embora, mas seu amor continuará vivo.

Foi isso que ela fez.

💔

🌺Balô (Maria Aparecida (Dotoli) Mariano Figueiredo)

⭐07.06.1940

🤍18.09.2024

Working Women / Naisia Työssä

"She buy clothes to work and she works to buy clothes" - 25x30 - 2024 - Luciana Mariano©

“She buy clothes to work and she works to buy clothes” – 25×30 – 2024 – Luciana Mariano©

During the month of September people in Tampere will be able to visit my solo exhibition “Working Women / Naisia Työssä” at the Werstas Työväenmuseo, Finnish Labour Museum Werstas located inside Finlayson, Tampere. The exhibition presents 20 new pieces made specially for the Labour Museum and approaches the female universe and its relationships with work, duty, motherhood, sorority, care, equality, capitalism and work market. It is open from Turdays to Sundays, from 11 til 18:00 and it ends on September 29. The address is Väinö Linnan aukio 8, 33210 Tampere.

If you visit it, publish and tag me, please!

I hope you enjoy it! Luciana Mariano ©

Fernanda Montenegro fará leitura de Simone de Beauvoir no Ibirapuera

https://gnoticia.com.br/fernanda-montenegro-fara-leitura-de-simone-de-beauvoir-no-ibirapuera/

  • 4 setembro 2024

A atriz Fernanda Montenegro fará uma leitura extra do texto “Cerimônia do Adeus”, da filósofa francesa Simone de Beauvoir, expoente do feminismo, no dia 18 de agosto (18/7) no Parque Ibirapuera, na zona Sul de São Paulo (SP).

O espetáculo lembra a pintura “Frida e Angela tomando chá (ou café) na casa de Simone”, de Luciana Mariano. Pelo título, somos levados a uma jornada por três mitos que discutem a condição feminina. A escritora Simone de Beauvoir (1908 – 1986), ao que sabemos dona da casa da cena, tem uma influência significativa no pensamento feminista, principalmente pelo livro “O Segundo Sexo” (1949), que trata da opressão contra as mulheres.

Do lado esquerdo da mesa, está a pintora mexicana Frida Kahlo (1907 – 1954), célebre não só pelos seus retratos e autorretratos e obras inspiradas na natureza e na cultura local, mas pelas manifestações, na vida e na arte, de valorização da própria identidade e da liberdade de gênero na conservadora sociedade local.

Do lado direito, encontra-se a professora norte-americana Angela Davis (1944), filósofa socialista que alcançou notoriedade mundial na década de 1970 como integrante do Partido Comunista dos EUA e dos Panteras Negras, importante movimento de militância pelos direitos das mulheres e contra a discriminação social e racial em seu país.

A pintura inclui uma solitária vela na mesa, que dialoga com o foco de luz na calçada do lado de fora da casa; Frida com um gato, escritos em inglês no chão, relógio na parede, livros de cunho libertário na estante, um retrato de Sartre, que viveu uma relação afetiva com Simone, fumando cachimbo na parede, e o piso ligado ao mobiliário por jogos visuais em marrom.

A imagem junta dois ícones do movimento feminista conversando em uma mesa muito bem posta em que curiosamente há bule, mas não xícaras de chá. Esse jogo de presenças/ausências se dissemina pela obra, tendo como ápice a falta da dona da casa anunciada no título. É desses mistérios e da silenciosa conversa entre as protagonistas que a obra se alimenta.

Oscar D’Ambrosio       @oscardambrosioinsta
Pós-Doutor e Doutor em Educação, Arte e História da Cultura, Mestre em Artes Visuais, jornalista
graduado em Letras,crítico de arte e curador.

Article by Professor Dr. Oscar D´Ambrosio on Brazilian news channel.